Wilson, Wendell E.
Wendell Eugene Wilson was born in Minnesota in 1946, and began collecting minerals in 1956. A life-long artist, he studied at the Minneapolis Institute of Art while still in high school and began selling his artworks as a young teenager. He won numerous awards in art, including first place in a statewide cartooning competition in 1959. In college he pursued a double-major in Fine Art and Geology at the University of Minnesota, graduating in 1969. He earned his M.S. in Mineralogy (1972) from Arizona State University, while field-collecting extensively in Arizona's many abandoned mines and famous mineral localities. After obtaining his PhD in Mineralogy (1976) from the University of Minnesota, he was hired by the Mineralogical Record as full-time Editor and eventually rose to the positions of Editor-in-Chief, Publisher and corporation CEO.
In addition to collecting minerals, Wilson has built substantial collections of mining artifacts of all kinds, and published four books on antique miners' lamps, containing hundreds of hand-drawn pen-and-ink illustrations of miners' oil-wick “frog” lamps, candleholders, and carbide cap lamps. Some of his collectibles appear as props in his paintings of underground scenes. His first mineral painting appeared on the cover of the November-December 1972 issue of Mineralogical Record. His series of fantasy mineral-collecting scenes now numbers 14, and he has produced numerous specimen portraits in oil on canvas, watercolor, India ink and mixed media, as well as a number of highly detailed mining still life paintings in oil on canvas, oil on copper, and India ink.
Over the years Wilson has continued to produce artworks regularly as time permits. He has published over 1,000 mineral and mining artworks, and over 6,500 mineral photographs. His publications include over 270 journal articles in mineralogy, over 400 shorter works (book reviews, etc.), and nearly 2,000 biographies of mineralogists and other people in the mineral world. He also founded the Antiquarian Reprint Series as a method of preserving and distributing very rare, early illustrated mineral books, featuring mineral art from before the age of photography.
The new mineral species wendwilsonite was named in his honor in 1987; he was elected a Fellow of the Mineralogical Society of America in 1989; he was presented with the Carnegie Mineralogical Award for 2001 (“in recognition of outstanding contributions to the field of mineralogy”); and his mineral collection won the Paul E. Desautels Memorial Trophy (the highest honor in mineral collecting) in 2013. Wilson continues to publish the Mineralogical Record and to write about, paint, research, photograph and collect minerals in Tucson, Arizona (e-mail: minrecord@comcast.net).
References:
Mitchell, R. S. (1988) Who's who in mineral names: Wendell Eugene Wilson, Jr. and Ignacio Domeyko. Rocks & Minerals, 63, 400-402.
Robinson, S. (1987) Mineral art today. Rocks & Minerals, 62, 328-343.
Robinson, S. (1987) Of mines and men: a look at art that depicts mining. Rocks & Minerals, 64, 476-495.
Ojuela Adamite
Watercolor and prismacolor pencil, 9 x 12 (2004). Painted from a small cabinet specimen of adamite from the Ojuela mine, Mapimi, Durango, Mexico, on commission from the specimen owner, Joe Kielbaso. Copyright 2004 Wendell E. Wilson.
Elmwood Calcite
Watercolor and prismacolor pencil, 9 x 12 (2004). Painted from a miniature specimen of calcite from the Elmwood mine, Tennessee, on commission from the specimen owner, Joe Kielbaso. Copyright 2004 Wendell E. Wilson.
Elmwood Fluorite
Watercolor and prismacolor pencil, 9 x 12 (2003). Painted from a cabinet specimen of fluorite from the Elmwood mine, Tennessee, on commission from the specimen owner, Lawrence Conklin. Copyright 2004 Wendell E. Wilson.
Amazonas Gold-1
Watercolor and prismacolor pencil, 9 x 12 (2004). Painted from a small miniature specimen of gold from the Amazonas region of Brazil, on commission from the specimen owner, Marty Zinn. Copyright 2004 Wendell E. Wilson.
Amazonas Gold-2
Watercolor and prismacolor pencil, 9 x 12 (2004). Painted from a small miniature specimen of gold from the Amazonas region of Brazil, on commission from the specimen owner, Marty Zinn. This illustration is a reconstruction of what the waterworn specimen shown below may have looked like originally. Copyright 2004 Wendell E. Wilson.
Broken Hill Rhodonite
Watercolor and prismacolor pencil, 9 x 12 (2004). Painted from a miniature specimen of rhodonite from the the Broken Hill mine, New South Wales, Australia, on commission from the specimen owner, Marty Zinn. Copyright 2004 Wendell E. Wilson.
Montezuma’s Emerald Mine
Watercolor and prismacolor pencil on art board, 11 x 14 inches (2001). From the artist’s “Fantasy Underground Collecting Scenes” series. Painting: Martin Zinn collection. Copyright 2001 Wendell E. Wilson.
Jonas Mine Pocket
A depiction of the famous Jonas mine pocket at Itatiaia, Minas Gerais, Brazil. This is not a fantasy scene, but instead a documentary reconstruction of a real tourmaline pocket with crystals over 3 feet long, based on specimen photos and interviews with miners. It was painted on commission for Keith Proctor in 1985, to illustrate his article on the gem pegmatites of Minas Gerais (Gems and Gemology, 21, p.100). Copyright 1985 Wendell E. Wilson.
Rob Lavinsky, Wendell Wilson, and Susan Robinson.