Wilson, Wendell E.
Wendell Eugene Wilson was born in Minnesota in 1946, and began collecting minerals in 1956. A life-long artist, he studied at the Minneapolis Institute of Art while still in high school and began selling his artworks as a young teenager. He won numerous awards in art, including first place in a statewide cartooning competition in 1959. In college he pursued a double-major in Fine Art and Geology at the University of Minnesota, graduating in 1969. He earned his M.S. in Mineralogy (1972) from Arizona State University, while field-collecting extensively in Arizona's many abandoned mines and famous mineral localities. After obtaining his PhD in Mineralogy (1976) from the University of Minnesota, he was hired by the Mineralogical Record as full-time Editor and eventually rose to the positions of Editor-in-Chief, Publisher and corporation CEO.
In addition to collecting minerals, Wilson has built substantial collections of mining artifacts of all kinds, and published four books on antique miners' lamps, containing hundreds of hand-drawn pen-and-ink illustrations of miners' oil-wick “frog” lamps, candleholders, and carbide cap lamps. Some of his collectibles appear as props in his paintings of underground scenes. His first mineral painting appeared on the cover of the November-December 1972 issue of Mineralogical Record. His series of fantasy mineral-collecting scenes now numbers 14, and he has produced numerous specimen portraits in oil on canvas, watercolor, India ink and mixed media, as well as a number of highly detailed mining still life paintings in oil on canvas, oil on copper, and India ink.
Over the years Wilson has continued to produce artworks regularly as time permits. He has published over 1,000 mineral and mining artworks, and over 6,500 mineral photographs. His publications include over 270 journal articles in mineralogy, over 400 shorter works (book reviews, etc.), and nearly 2,000 biographies of mineralogists and other people in the mineral world. He also founded the Antiquarian Reprint Series as a method of preserving and distributing very rare, early illustrated mineral books, featuring mineral art from before the age of photography.
The new mineral species wendwilsonite was named in his honor in 1987; he was elected a Fellow of the Mineralogical Society of America in 1989; he was presented with the Carnegie Mineralogical Award for 2001 (“in recognition of outstanding contributions to the field of mineralogy”); and his mineral collection won the Paul E. Desautels Memorial Trophy (the highest honor in mineral collecting) in 2013. Wilson continues to publish the Mineralogical Record and to write about, paint, research, photograph and collect minerals in Tucson, Arizona (e-mail: minrecord@comcast.net).
References:
Mitchell, R. S. (1988) Who's who in mineral names: Wendell Eugene Wilson, Jr. and Ignacio Domeyko. Rocks & Minerals, 63, 400-402.
Robinson, S. (1987) Mineral art today. Rocks & Minerals, 62, 328-343.
Robinson, S. (1987) Of mines and men: a look at art that depicts mining. Rocks & Minerals, 64, 476-495.
79 Mine Wulfenite
Oil on canvasboard, 11 x 14 inches (1974). Painted from a self-collected thumbnail specimen of wulfenite from the 79 mine, Arizona. Current specimen owner: unknown. Current painting owner: Victor Yount. Copyright 1974 Wendell E. Wilson.
Tsumeb Mimetite
Oil on canvasboard, 11 x 14 inches (1974). Painted from a miniature specimen of mimetite from Tsumeb, Namibia in the Smithsonian collection. Painting: William Larson collection. Copyright 1974 Wendell E. Wilson.
Bud’s 79 Mine Wulfenite
Oil on canvasboard, 14 x 18 inches (1972). Painted from a specimen of wulfenite from the 79 mine, Arizona, in the Bud Standley collection, later in the artist’s collection; current owner unknown. This was the artist’s first mineral painting, published on the cover of the November-December 1972 issue of Mineralogical Record. Current owner of the painting and specimen: Mark Hay. Copyright 1972 Wendell E. Wilson.
Pulsifer Apatite
Oil on canvasboard, 11 x 14 inches (1975). Painted from a specimen of purple fluorapatite in 1.5-cm crystals from the Pulsifer quarry, Maine, in the Smithsonian collection. Painting: Brian and Brett Kosnar collection. Copyright 1975 Wendell E. Wilson.
Corrallitos Wulfenite
Oil on masonite panel, about 20 x 30 inches (1975). Painted from a specimen of wulfenite (1.9-cm water-clear crystal)from San Pedro Corrallitos, Mexico in the Smithsonian collection. Painting: John and Pat Carlon collection. Copyright 1975 Wendell E. Wilson.
Plata Negra, Mina Reyes, Guanajuato
Oil on canvas, 9 x 12 inches (2000). Painted in the style of the 17th-century Spanish still-life painters, from a 6.8-cm cluster of acanthite crystals from the Reyes mine, Guanajuato, Mexico, in the Miguel Romero collection (now in the University of Arizona collection). Painting: artist’s collection. Copyright 2000 Wendell E. Wilson.
Aguilarite, Mina San Jose, Guanajuato
Oil on canvas, 9 x 12 inches (2001). Painted in the style of the 17th-century Spanish still-life painters, from a 4.2-cm cluster of aguilarite crystals from the San Jose, Guanajuato, Mexico, in the Terry Wallace collection. Painting: artist’s collection. Copyright 2001 Wendell E. Wilson.
Rosicler Negro, Veta Santo Nino, Fresnillo
Oil on canvas, 9 x 12 inches (2003). Painted in the style of the 17th-century Spanish still-life painters, from a 2-inch cluster of stephanite crystals from the Santo Nino Vein, Fresnillo, Mexico, in the James and Dawn Minette collection. Painting: artist’s collection. Copyright 2003 Wendell E. Wilson.
Rob Lavinsky, Wendell Wilson, and Susan Robinson.